And as the actor claims, Marvel was initially receptive to doing down this creative path, but then reversed course, and that’s when this professional relationship started to collapse.Įdward Norton also acknowledged in the interview with The New York Times that when he discussed his Hulk plans with Marvel Studios, he wasn’t willing to dedicate the amount of time they wanted from him to make this creative vision happen, and he also probably would have asked for more money than they were willing to offer him. So if Edward Norton had his way, his version of The Hulk would have gone in a darker direction, as he was inspired by what Christopher Nolan delivered in Batman Begins, The Dark Knight and The Dark Knight Rises. And they were like, ‘That’s what we want!’ As it turned out, that wasn’t what they wanted. I laid out a two-film thing: The origin and then the idea of Hulk as the conscious dreamer, the guy who can handle the trip. If there was ever a thing that I thought had that in it, it was the Hulk. And what Chris Nolan had done with Batman was going down a path that I aligned with: long, dark and serious. Now Edward Norton has elaborated on these creative differences, saying how he wanted to take The Hulk in a direction similar to the tone of Christopher Nolan’s Dark Knight trilogy, but Marvel ultimately wasn’t game for that.
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